In 1898 George Meles made a film called four heads are better than one in the film he used mattes to composite several versions of is head onto tables, he did this by blacking out the part of the frame where he wanted his heads to be with pieces of glass that he painted black he did this to make sure those parts of the film wouldn't get expose. Meles would then rewind the film and matte everything else in the frame and expose what he had matted before. Edwin S. Porter also used this technique in 1903 for his film The Great Train Robbery, Porter composted moving scenery and trains into his scenes. The trouble with this process was that know one could pass the matted section and the camera had to be perfectly still. In 1918 Frank Williams patented the Traveling Matte this was a process like green screen but the background the actors where performing against was completely black it was used in a film called Sunrise. In 1925 the Dunning Process was made by C. Dodge Dunning, the Dunning Process would have actors in front of a blue lighted screen and have the actors/foreground lighted in yellow the Dunning Process was first used in 1933 in King Kong but the Dunning Process only worked with black & white films. In 1940 Larry Butler created a technique that could be used for color film, Butler shot the actors in front of a blue background. He used the technicolor 3 strip process and took the negative and create a silhouette matte he then used an optical printer to combine the foreground and background plate together. Petro Vlahos created the sodium vapor process. The process involved actors standing in front of a white screen lit by sodium vapor lights that made it yellow, this process was used a lot by Walt Disney e,g The Parent Trap and Mary Poppins.
Special and Visual Effects in The Walking Dead


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